Primary directions since the 20th century
Posted: Mon Apr 21, 2025 2:13 am
I thought it might be as well to start a new thread here for anyone interested in the topic of to what extent primary directions survived into 20th-century astrological practice, whether and how they were reinterpreted (deliberately or through misunderstanding), and whether and why they were deliberately rejected by some.
In this post in another thread, Ouranos listed some recent and contemporary authors on primary directions, some of whose works are in French and unknown to me. It may be a useful starting-point to state that among the ones familiar to me, some belong to the loose-knit group of astrologers trying to rediscover/revive traditional forms of astrology. In other words, their writing on primary directions is not a sign that the technique has survived, but rather the opposite (if it were alive and well, there would be no call to revive it). In Ouranos's list, Giuseppe Bezza, Benjamin Dykes, Deborah Houlding, Rumen Kolev, Anthony Louis, and myself seem to me to fall largely into this category.
Sepharial (W.R. Old), writing in the early decades of the 20th century, was at first part of Alan Leo's Theosophically-inflected, 'modernist' astrology movement but eventually dissociated himself from it. His use of primary directions, like that of other 19th- and early 20th-century British astrologers, was a slimmed-down version of the Placidean style of directing found, for instance, in the work of John Partridge (early 18th century). Bob Makransky's use of directions, on the other hand, differs decidedly from the traditional, whether intentionally or not. In effect, he has created, or perhaps joined others in creating, a number of hypothetical modes of directing that never existed before.
Finally, it may be worth pointing out that the 'progressed horoscope' created by Alan Leo, which is what astrologers today typically call secondary progressions, is a hybrid technique in which the angles are actually directed by primary motion (not secondary, which they do not possess).
In this post in another thread, Ouranos listed some recent and contemporary authors on primary directions, some of whose works are in French and unknown to me. It may be a useful starting-point to state that among the ones familiar to me, some belong to the loose-knit group of astrologers trying to rediscover/revive traditional forms of astrology. In other words, their writing on primary directions is not a sign that the technique has survived, but rather the opposite (if it were alive and well, there would be no call to revive it). In Ouranos's list, Giuseppe Bezza, Benjamin Dykes, Deborah Houlding, Rumen Kolev, Anthony Louis, and myself seem to me to fall largely into this category.
Sepharial (W.R. Old), writing in the early decades of the 20th century, was at first part of Alan Leo's Theosophically-inflected, 'modernist' astrology movement but eventually dissociated himself from it. His use of primary directions, like that of other 19th- and early 20th-century British astrologers, was a slimmed-down version of the Placidean style of directing found, for instance, in the work of John Partridge (early 18th century). Bob Makransky's use of directions, on the other hand, differs decidedly from the traditional, whether intentionally or not. In effect, he has created, or perhaps joined others in creating, a number of hypothetical modes of directing that never existed before.
Finally, it may be worth pointing out that the 'progressed horoscope' created by Alan Leo, which is what astrologers today typically call secondary progressions, is a hybrid technique in which the angles are actually directed by primary motion (not secondary, which they do not possess).